PART B: Which TWO details from the text best support the answer to Part A? A. “when I was on an airplane and I introduced myself to my seatmate, and told
them what I did, they’d move away from me, because, quite rightly, they were
saying psychology is about finding what’s wrong with you.” (Paragraph 8)
B. “The conclusion of that is, psychology and psychiatry of the last 60 years can
actually claim that we can make miserable people less miserable.” (Paragraph
12)
C. “It should be interested in the best things in life. And it should be just as
concerned with making the lives of normal people fulfilling, and with genius,
with nurturing high talent.” (Paragraph 16)
D. “But watch out here — this is merely correlational data, not causal, and it’s about
happiness in the first, ‘Hollywood’ sense I’m going to talk about, happiness of
ebullience and giggling and good cheer.” (Paragraph 20)
E. “The first drawback is, it turns out the pleasant life, your experience of positive
emotion, is about 50 percent heritable, and, in fact, not very modifiable.”
(Paragraph 23)
F. “And meaning, in this view, consists of… knowing what your highest strengths
are, and using them to be

Gatsby comment that nick looks familiar to him. what surprising connection do they have?

Which two characteristics are basic parts of a literary analysis essay about a play?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification