Read the paragraph. During the week, Nala keeps her room neat and tidy. She makes her bed, puts her clothes away, and straightens things up as part of her daily routine. On weekends though, it is a different story. By Sunday evening, her room is a disaster zone. Her softball uniform, gym bag, and dance shoes may be strewn across the floor because she rushes from one activity to the next. Sleeping bags from slumber parties, art supplies, and books may be found draped across furniture and clumped in corners. Sometimes, it is hard to even enter the room! Nala and her parents came to an agreement about keeping her room clean. As long as she has her room back in perfect order by bedtime on Sundays, she could take Saturdays off.

What is the meaning of the metaphor in the paragraph?

A) Nala and her parents believe that weekends should be spent relaxing.

B) Nala enjoys a variety of fun activities on the weekends.

C) On weekends, Nala makes an astounding mess of her room.

D) Because weekends are so busy, Nala spends little time in her room.

delfino 2: diez in the desert analysis: the story, delfino 2: diez in the desert was really about not giving up! that is basically the theme of the story, and also being more prepared. the plot of the story was about diez, the main character, traveling through the harsh desert with other immigrants. also, that keeping the group alive and getting them to their final destination. the setting of the story took place in mexico in the harsh desert.

a simple sentence must have at least one dependent clause.

when connie willis was 12 years old, her mother died. in january of 2003, willis was interviewed for locus magazine. she recognized that death is a major issue in her writing, specially because the vacuous and appalling things that people tend to say in order to support you when someone you loved dies. what really saved willis was reading. books, literature, are not false. poetry tells the truth (as dickinson said: "tell al the truth but tell it slant"). it's not a escape from reality, but a nigromantic experience where whe can talk to people that exist no more. that's the definition that connie willis gives in her novel "passage": «(literature) it's the people who went before us, tapping out messages from the past, from beyond the grave, trying to tell us about life and death! ». enrique vila-matas has figured out the esence of literary experience when he said in a lecture that he intends to have his revenge against life (and death), because to write (and to read) is a form of living and a way to remember. i like in that sense the idea of not leting anything human to get lost. i feel fiction and poetry as the shapes of an ancient anger. like in the poem from dylan thomas: «do not go gentle into that good night / rage, rage against the dying of the light».

but there is another aspect that i have learned from connie willis's quote. in his famous work "danubio", the italian writer claudio magris describes literature as house removals. some messages reach us, other messages get lost in the labyrinth. those messages which are our inheritance teach us how to live and how to die, how to love and how to hate, how to laugh and how to cry. i think that tales really shape us if we listen to them. maybe through the stories we read we learn how to emphatize with others, knowing that the bells tolls for every each of us.