Which statement accurately compares the diction in Andrew Jackson's "On Indian Removal" to that in Michael Rutledge's "Samuel's Memory"?
A. Jackson's writing is difficult to fully believe, whereas Rutledge's
writing is much more honest.
B. Jackson relies on a sophisticated vocabulary, whereas Rutledge
relies on a simple vocabulary.
C. Jackson comes across as fake and pompous, whereas Rutledge
comes across as down-to-earth.
D. Jackson uses feelings to persuade the audience, whereas
Rutledge uses logical reasoning.

Araby every morning i lay on the floor in the front parlour watching her door. the blind was pulled down to within an inch of the sash so that i could not be seen. when she came out on the doorstep my heart leaped. i ran to the hall, seized my books and followed her. i kept her brown figure always in my eye and, when we came near the point at which our ways diverged, i quickened my pace and passed her. this happened morning after morning. i had never spoken to her, except for a few casual words, and yet her name was like a summons to all my foolish blood. what is the general tone of the passage? a. courageous b. comical c. passionate d. fearful