When traffic is jammed and no one is moving, it's easy to get a close-up view of several different types of vehicles. For instance, you'll that see eco-friendly cars are on the roads. Characteristics of an eco-friendly car include hybrids and electrics. The electric cars sometimes don't sound like a vehicle at all. They simply hum down the road. The hybrids sound like a regular car but look like a smaller version of one. In addition to the eco-friendly cars, there are multiple mini-vans. Mini-vans consist of a more roomy ride for multiple passengers as well as a higher vantage point for the driver. Luxury cars make up a minority of the vehicles on the road. Their shiny outward look matches the custom accents that mark the interior. Does this show cause/effect problem/ solution compare/contrast chronological enumerative or propodtiton/support?

12-14pt font, times new roman double spaced and on the top left of ur paper write the name date teachers name and assingment

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran