Read the following excerpt from Robert Louis Stevenson's Essay in the Art of Wnting and answer the question: Rhythm of the Phrase-Some way back, I used a word which still awaits an application. Each phrase, I said, was to be comely, but what is a comely phrase? In all
ideal and material points, literature, being a representative art, must look for analogies to painting and the like, but in what is technical and executive, being a
temporal art, it must seek for them in music Each phrase of each sentence, like an air or a recitative in music, should be so artfully compounded out of long and
short, out of accented and unaccented, as to gratify the sensual ear And of this the ear is the sole judge. It is impossible to lay down laws.
How does the author's syntax in this paragraph mirror his message?
The author is trying to demonstrate that most writing uses too many words
The author is trying to demonstrate the effect of long sentences and short ones
The author is trying to demonstrate that most writing uses too few words.
The author is trying to demonstrate that writing a book can be complicated.

tom comes from a southern part of the hemisphere and down in the south they talk with a lot of slang the family doesnt quiet understand what tom is tryna say becaus ehe talks like a three year old but near the end they finally try and desihper toms letter and its a success i have no idea hwta book this is or how to even answere this question honeslty but i am a really fast typer so i did this actually incrediably quick with the swiftness of the flash

synomenous

sry cant spell

awnser: the oxford dictionary of quotations (oup 1970) has 66 pages of quotations

attributed to the writings of william shakespeare in which there are 2369 quotations,

which may reflect well over 5000 speeches, discussions, observations and comments

that are present in shakespeare’s work. it is largely from those speeches and discussions

on shakespeare’s 37 plays, as well as his, and others’ poems, that examples have been

taken here.

in this book all quotations from his poems and plays have been taken from various

editions of the arden shakespeare.

the writer is very much indebted to the rapid response provided by his son, henry

audley-charles , for cries of , guidance, advice and repairs to his ageing pc, that

henry provided at all hours. without this assistance over the last 3 years this book

could not have been written.

in addition, the writer is much for the kind by discussion and proof readings from

elizabeth macbeth and janet hulse; and for his knowledge of shakespeare’s plays and

poems in discussions with monsieur francis saillart; and especially for years of proof

reading, support and with this book from my wife brenda amy cordeiro. above

all, the debt i owe is to professor david price, vice provost research. he has acted as

the editor and the guide for the whole project. this has been far from easy with

changes repeatedly being made by the author and which continued after professor price

had provided all the editorial structure for this project.