S and
If you have a lot of extra crayon stubs laying around, don't
throw them out. You can use them to make big, chunky crayons.
Just follow these steps:
1. Collect all of your old crayons.
2. Remove the paper wrapped around the crayons..
3. Cut them into small pieces.
4. Preheat the oven to 250 degrees.
5. Fill a muffin tin one inch thick with the crayon pieces.
6. Bake 15-20 minutes, or until crayons are melted.
7. Allow the tin to cool. Pop out the crayons and start
coloring
what was the author's purpose in
writing this passage?
pose
He was
to do
te in

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects