The Fowl in the Pot by Stanley). Weyman (excerpt) Arriving at a house, which, If we might judge in the darkness, seemed to be of rather greater pretensions than its fellows, our gulde stopped, and whispered to us to mount some steps to a raised wooden gallery, which intervened between the lane and the doorway. On this, besides the door, a couple of unglazed windows looked out. The shutter of one was ajar, and showed us a large, bare room, lighted by a couple of rushlights. Directing us to place ourselves close to this shutter, the innkeeper knocked at the door in a peculiar fashion, and almost immediately entered, going at once into the lighted room. Peering cautiously through the window we were surprised to find that the only person within, save the newcomer, was a young woman, who, crouching over a smoldeling fire, was crooning a lullaby while she attended to a large black pot . Which word best describes the tone of the excerpt? ОА. troubled B. mocking O C. frustrated OD. mysterious

quite an interesting way to teach topic sentences, because the answer to this question is the best definition of a topic sentence that one can present, it is as if answering the questions taught you how to do it, this is some real teaching, it is terribly well-done.

the topic sentence in this paragraph is:

topic sentences writers stay on track and keep a paragraph from becoming an aimless collection of sentences about an idea.

which incidentally tells you what a topic sentence should be.

there are several different forms of presenting this; each has a very specific format. plays have a very simple format; teleplays, for television shows, or screenplays, for movies, have more complex and strict rules for formatting.

drama

the first of these to be written for the express purpose of being performed were created by the greeks. many of our modern terms derive from greek origins.

comedy

in the greek sense, a play that doesn't end in death. in modern usage, refers to a play that is humorous.

tragedy

in the greek sense, a play that ends with the death of at least one of the main characters. in modern usage, refers to a play that doesn't have a happy ending.