Brainstorm and prewrite three scenes about a fictional talent show in which two contestants swap bodies. Your first two scenes will focus on the contestants, each
of which must try to learn the other person's act before the show begins. The third
scene will focus on an audience member who's watching the talent show.
Each scene must make its main character distinct from the other two. Each scene
must also use rich description so that the problem each character faces seems real,
even though the story itself is fantastical. In the next lesson, you'll expand these
scenes into a short story.

The caption is an example of which kind of bias? "cute baby boars snuffle for food in the undergrowth"

Drag the correct answer into the box to complete the sentence. i wore a new pair of shoes for a long walk

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.