“ . . . and I didn’t meet any communists out there preaching Marxism, and Engels — you met poor people who were trying to stay alive and feed their families and themselves, and where they may have been indifferent 10 years before, they weren’t indifferent anymore, nor would anyone else be. It was the way to lose a war. Because you take people out of their houses and you move them. And big aggregates of people, and you boss them around, and you call all the shots, and you beat up on people, and you trash everything that could be trashed — all in the name of searching for the enemy. The consequences are you make enemies. You may kill a few Vietcong along the way, but you are making enemies — just imagine one baby being shot by accident — it’s got a mother and a father and an uncle and aunt and friends and brothers and sisters — and they may have been indifferent before that baby died, but they’re not indifferent anymore and nor would you or anyone else.”

Read the quote above by O’Brien. How do details ring true in his stories?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

Read the sample student claim. if university education was made free for everyone, i would be thrilled because more people would go to college and pursue successful careers. why is this not an effective claim? check all that apply. it is a topic with two or more viewpoints. it does not contain the writer’s opinion. it is simply a personal preference or feeling. it does not present supporting evidence. it cannot be supported with logical reasons.

In which of the following excerpts from "the yellow wall paper" does author charlotte perkins gilman seem to mock the romantic belief in the supernatural? a. a colonial mansion, a hereditary estate, i would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! b. there is a delicious garden! i never saw such a garden—large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them. c. the color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight. d. then i peeled off all the paper i could reach standing on the floor. it sticks horribly and the pattern just enjoys it!