The answer choices are spelling rules about what to do before adding suffixes to a base word that ends in e. Identify the
rule that would be applied to the word below.
free + -ing
If the suffix starts with a consonant, keep the e and add the suffix.
If the suffix starts with a vowel, drop the eand add the suffix.
If a base word ends in double e, do not drop the final e, but never write three es in a row.
Keep the final e only if it lets g or c make their soft sounds.
This word is an exception to the rule.
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the first proposition is to question economic materialism and victorian christianity. the lines are:

“it moves us not.—great god! i'd rather be

a pagan suckled in a creed outworn; ”

wordsworth is stating that nature no longer interests mankind, that the latter is not “moved” by it and explains that ancient western paganism had a more positive attitude concerning nature since it lacked the perv erted judaeo-christian interpretation of having received the world and all its animals and elements from god to use as we , instead of humans actually being not only part of nature but its wardens, meant to appreciate it and protect it.

the next lines are:

“so might i, standing on this pleasant lea,

have glimpses that would make me less forlorn;

have sight of proteus coming from the sea;

or hear old triton blow his wreathed horn.”

wordsworth here make it very clear that by actually looking and contemplating nature, human beings would reconnect with happiness, serenity and purpose. the use of mythological figures is quite evocative as well, proteus is a greek mythological god of the changing sea. he personifies the sea that changes, which symbolizes the way nature changes and inevitably can change to be destructive not only due to natural causes but to human pollution. furthermore, the sea is even more symbolic since all life originated in the sea so it is not only our past but our future since no life form in our planet can survive without water and if all water is destroyed in earth all life will be gone as well.

he then uses triton which is symbolic of the synthesis of both nature and mankind. triton is a mythological greek god that has the upper body of a man and the lower body of a fish (a merman). this human fish duality evokes the fact that humans are not only human but also part of nature, the fish tail representing nature. the main attribute of this god was that he used a conch shell as a horn to calm the roaring seas. in other words, triton uses nature through science for the benefit of human sailors who risk death during tempests. with the use of such metaphor, wordworth is conveying the message that human technology   is supposed to use nature to preserve nature and thereby humanity as well.

honestly this is the biggest mood ever, i couldn't relate to this more

explanation:

the chosen symbology is the 'sweet secret' which anna confesses on january 6th.

anne's thoughts on her mother are further indication of her growing maturity and of her feelings of isolation from her mother.

the homoeroticism of this passage led it to be excluded from early editions of the journal. this passage shows anne's simultaneous innocense about and fascination with sex. she's clearly aware and unafraid of being sexual, but at the same time is seemingly unaware that her homosexual feelings could be considered taboo back then.

hope this !