10
Select the correct text in the passage.
Which two parts of this passage from chapter 6 of Emily Brontë's Wuthering Heights illustrate that Hindley Earnshaw is very willing to please
wife?
Young Earnshaw was altered considerably in the three years of his absence. He had grown sparer, and lost his colour, and spoke and dresse
quite differently, and, on the very day of his return, he told Joseph and me we must thenceforth quarter ourselves in the back-kitchen, and le
the house for him. Indeed, he would have carpeted and papered a small spare room for a parlour; but his wife expressed such pleasure att
white floor and huge glowing fireplace, at the pewter dishes and delf-case, and dog-kennel, and the wide space there was to move about in
where they usually sat, that he thought it unnecessary to her comfort, and so dropped the intention.
She expressed pleasure, too, at finding a sister among her new acquaintance; and she prattled to Catherine, and kissed her, and ran about
her, and gave her quantities of presents, at the beginning. Her affection tired very soon, however, and when she grew peevish, Hindley beca
yrannical. A few words from her, evincing a dislike to Heathcliff, were enough to rouse in him all his old hatred of the boy. He drove him fr
helr company to the servants, deprived him of the instructions of the curate, and insisted that he should labour out of doors instead;
ompelling him to do so as hard as any other lad on the farm
eathcliff bore his degradation pretty well at first, because Cathy taught him what she learnt, and worked or played with him in the fields.
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answer: go in to it prass it and you should see a delate singe

explanation:

answer: b

explanation:

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran