PASSAGE-In the play Our Town, the set is extremely sparse, including only a few chairs for the actors to sit in. All of the characters' actions — such as shelling beans, delivering newspapers, or leading horses — are pantomimed and use no actual props. The play dramatizes the lives of people in a small New Hampshire town in 1901, focusing on the characters George Gibbs and Emily Webb. George and Emily meet in high school, fall in love, and marry. Nine years later, Emily dies while giving birth to her second child. In the last act of the play, Emily is allowed to go back and relive one day of her life. She chooses her 12th birthday, and she is amazed by how young her parents look, how happy her family seems, and how no one really sees how wonderful life is — even ordinary life. Eventually, Emily can't bear to keep watching and asks to be taken back to her grave, saying how human beings "don't understand" the beauty of the lives they live.
QUESTION- explain how the motif of pantomiming everyday actions contributes to the play's larger meaning. Use specific examples from the summary in your response.

the first proposition is to question economic materialism and victorian christianity. the lines are:

“it moves us not.—great god! i'd rather be

a pagan suckled in a creed outworn; ”

wordsworth is stating that nature no longer interests mankind, that the latter is not “moved” by it and explains that ancient western paganism had a more positive attitude concerning nature since it lacked the perv erted judaeo-christian interpretation of having received the world and all its animals and elements from god to use as we , instead of humans actually being not only part of nature but its wardens, meant to appreciate it and protect it.

the next lines are:

“so might i, standing on this pleasant lea,

have glimpses that would make me less forlorn;

have sight of proteus coming from the sea;

or hear old triton blow his wreathed horn.”

wordsworth here make it very clear that by actually looking and contemplating nature, human beings would reconnect with happiness, serenity and purpose. the use of mythological figures is quite evocative as well, proteus is a greek mythological god of the changing sea. he personifies the sea that changes, which symbolizes the way nature changes and inevitably can change to be destructive not only due to natural causes but to human pollution. furthermore, the sea is even more symbolic since all life originated in the sea so it is not only our past but our future since no life form in our planet can survive without water and if all water is destroyed in earth all life will be gone as well.

he then uses triton which is symbolic of the synthesis of both nature and mankind. triton is a mythological greek god that has the upper body of a man and the lower body of a fish (a merman). this human fish duality evokes the fact that humans are not only human but also part of nature, the fish tail representing nature. the main attribute of this god was that he used a conch shell as a horn to calm the roaring seas. in other words, triton uses nature through science for the benefit of human sailors who risk death during tempests. with the use of such metaphor, wordworth is conveying the message that human technology   is supposed to use nature to preserve nature and thereby humanity as well.

martians or other types of aliens represent a unique fear as opposed to zombies. vampires and other types of monsters.   in most sci-fi stories, aliens come from other worlds and have different or more advanced technology.   abductions and experimentation on human bodies that involve these technologies, or the use of these technologies against human beings and the use of unknown "powers", are a type of fear that's different from that of other types of monsters.