English, 23.04.2020 01:09, cbonner191
Big hairy RATS scurry through the mausoleums and over the headstones of this very large, scary, UNDERGROUND
CEMETERY. A DETRITUS MOAT surrounds the cemetery, --muck made out of filthy water and human remains. Skulls bob in
the goop. The Priests have gathered in a circle. Their hooded, lifeless eyes seem dead to this world. Their bald heads rock back
and forth as they CHANT, a quiet eerie HUM. Heinous creatures. In the middle of the circle is a strange, twisted ALTAR.' Imhotep
has unwrapped Anck-su-namun's gorgeous, lifeless body and placed her five sacred canopic jars around her.
Read the passage above from the movie script "The Mummy." Choose the correct pairing of the sensory language with the
sense it is appealing to from the choices below:
a. muck made of filthy water and human remains - sense of smell
b. hooded, lifeless eyes - sense of touch
C. chant, a quiet eerie hum - sense of hearing
d. strange, twisted alter - sense of taste
Please select the best answer from the choices provided
OA
Mark this and return
Save and Exit
Next
Submit
Answers: 2
Other questions on the subject: English
English, 21.06.2019 23:30, tiannaetzel
What inference about haida families can be brawn from the actions foc the sky chief
Answers: 3
English, 22.06.2019 00:40, littledudefromacross
Read the excerpt from "the love song of j. alfred prufrock." and indeed there will be time to wonder, “do i dare? ” and, “do i dare? ” time to turn back and descend the stair, with a bald spot in the middle of my hair— [they will say: “how his hair is growing thin! ”] my morning coat, my collar mounting firmly to the chin, my necktie rich and modest, but asserted by a simple pin— [they will say: “but how his arms and legs are thin! ”] do i dare disturb the universe? in a minute there is time for decisions and revisions which a minute will reverse. which lines indicate that the speaker is concerned about what others think of him?
Answers: 1
English, 22.06.2019 01:00, kingjames82
Read the passage from animal farm. "that was part of the arrangement! " cried squealer. "jones's shot only grazed him. i could show you this in his own writing, if you were able to read it. the plot was for snowball, at the critical moment, to give the signal for flight and leave the field to the enemy. and he very nearly succeeded—i will even say, comrades, he would have succeeded if it had not been for our heroic leader, comrade napoleon. do you not remember how, just at the moment when jones and his men had got inside the yard, snowball suddenly turned and fled, and many animals followed him? and do you not remember, too, that it was just at that moment, when panic was spreading and all seemed lost, that comrade napoleon sprang forward with a cry of 'death to humanity! ' and sank his teeth in jones's leg? surely you remember that, comrades? " exclaimed squealer, frisking from side to side. now when squealer described the scene so graphically, it seemed to the animals that they did remember it. at any rate, they remembered that at the critical moment of the battle snowball had turned to flee. but boxer was still a little uneasy. how does the characterization of squealer support the author’s purpose? squealer's dramatic accusations draw parallels between him and stalin’s propagandists. squealer's uncertainty shows that he is not a reliable ally of napoleon and is ineffective with messaging. squealer's ability to get the animals to listen to him shows that any animal can rise to be a leader in time. squealer's humble interactions with the animals reflect the importance of equality and cooperation.
Answers: 3
English, 22.06.2019 01:00, fufnun9757
Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.
Answers: 1
Do you know the correct answer?
Big hairy RATS scurry through the mausoleums and over the headstones of this very large, scary, UNDE...
Questions in other subjects:
Mathematics, 20.02.2020 22:52
Mathematics, 20.02.2020 22:52
