Hannah is writing a literary analysis essay about The Secret Garden by Frances Hodgson Burnett. She is including a direct quotation from the book. The quotation comes from page 1. What type of in-text citation should Hannah add to the following sentence in her essay?

In The Secret Garden, Hodgson describes Mary Lennox as having "a little thin face and a little thin body, thin light hair and a sour expression."

A.
In The Secret Garden, Hodgson describes Mary Lennox as having "a little thin face and a little thin body, thin light hair and a sour expression" (The Secret Garden 1).
B.
In The Secret Garden, Hodgson describes Mary Lennox as having "a little thin face and a little thin body, thin light hair and a sour expression" (1).
C.
In The Secret Garden, Hodgson describes Mary Lennox as having "a little thin face and a little thin body, thin light hair and a sour expression" (Hodgson).
D.
In The Secret Garden, Hodgson describes Mary Lennox as having "a little thin face and a little thin body, thin light hair and a sour expression" (Frances).

Which of the narrator's statements in "the yellow wallpaper" suggests that she does not think women are too frail to be intellectual? a. i verily believe she thinks it is the writing which made me sick! b. of course i didn't do a thing. jennie sees to everything now. c. i don't feel as if it was worth while to turn my hand over for anything, and i'm getting dreadfully fretful and querulous. d. so i walk a little in the garden or down that lovely lane, sit on the porch under the roses, and lie down up here a good deal.

Describe the term romanticism. how is it evident in the poems of the era? be sure to include information related to poems from at least two authors. support your response with evidence related to form, sound, structure, and other poetic elements.

What theme is the main theme of this excerpt from the metal pig by hans christian andersen? in the garden of the grand duke's palace under the roof of one of the wings were a thousand roses bloom in winter, a little ragged boy had been sitting the whole day long. the boy might serve as a type of italy lovely and smiling and yet suffering. he was hungry and thirsty but no one gave him anything and when it became dark and they were about to close the gardens, the porter turned him out. a long time he stood musing on the bridge which crosses the arno and looking at the glittering stars that were reflected in the water which flowed between him and the wonderful marble bridge trinita. he then walked away towards the metal pig, half note down, clasped it with his arms, and, putting his mouth to the shining snout, drink deep droughts of the fresh water. close-by lay a few salad leaves into chestnuts, which register for his supper. no one was in the street but himself. it belonged only to him. he boldly seated himself on the pig's back, leaned forward so that his curly head could rest on the head of the animal, and, before he was aware, fell asleep. it was midnight. the metal pig raised himself gently, and the boy heard him say quite distinctly, hold tight little boy, for i am going to run, and way he started for most wonderful ride first they arrived at the p as the del granduca and the metal horse which bears the dukes statue made allowed