Select the correct answer.
O'Connor, Sandra Day. The Majesty of the Law Reflections of a Supreme Court Justice. New York Random House, 2004
Former Associate Justice O'Connor gives a comprehensive history of the United States justice system from its beginnings with the Magna
Carta to the Supreme Court's progression and development to its current form. O'Connor highlights influential justices like Chief Justice John
Marshall, Oliver Wendell Holmes Jr., and Thurgood Marshall. She also discusses important court rulings to include Brown vs. the Board of
Education. Because both the Supreme Court's deliberation process and personal opinions about controversial topics are off limits for any
justice to discuss publicly. this book makes an excellent, unbiased resource for anyone seeking to learn more about the nation's courts.
What purpose does the annotation in this bibliography entry serve?
OA. It includes page numbers for references used.
OB. It provides detailed information about the paper.
oc. It summarizes and evaluates the source used.
D. It visually explains important facts for the reader.

imparadis't in one anothers arms  

the happier eden, shall enjoy their fill  

of bliss on bliss, while i to hell am thrust,  

where neither joy nor love, but fierce desire,  

among our other torments not the least,  

still unfulfill'd with pain of longing pines;  

yet let me not forget what i have gain'd  

from their own mouths; all is not theirs it seems:  

one fatal tree there stands of knowledge call'd,  

forbidden them to taste: knowledge forbidd'n?  

suspicious, reasonless. why should their lord  

envie them that? can it be sin to know,

boccaccio employs the voice of his narrator dioneo to represent his ideas on the tension between masculinity and femininity.  while dioneo excites the members of the brigata and recognizes women for their unique skills and independent ideas, he concludes the decameron with a story reminiscent of the society from which these young aristocrats escaped, revealing misogynistic overtones.  dioneo boccaccio is able to explore the gender disparity which is inherent in 14th century florentine society.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran