Which section from the text best supports the answer to Part A? A. “In the early 1900s African Americans began moving north where they could find better paid jobs working in city factories instead of on farms.” (Paragraph 3) B. “One of the most common stereotypes was that they were primitive, wild people still closely connected to the ‘jungle roots’ of their origins in Africa.” (Paragraph 4) C. “Although the poem never addressed race directly, African-American readers found its message of defiance inspiring as they continued to hear about racially motivated violence around the country.” (Paragraph 5) D. “Artists held the belief that through intellect, literature, art, and music, their work could challenge racism and enable African Americans to better integrate into American society as a whole.” (Paragraph 6)

“Artists held the belief that through intellect, literature, art, and music, their work could challenge racism and enable African Americans to better integrate into American society as a whole.” (Paragraph 6)

Explanation:

In this passage, it is explained that the artists used visual arts and other forms of expression as a means to become a part of the American society. During the Harlem Renaissance (1918-1930s), African Americans were finally able to get rid of the stereotypes and represent their own culture through arts. Literature, music and works of art that they created helped them eliminate racial prejudices, and made them an equal part of the Western culture.

yeah, i think its a good thing what do you think?

now, of course, the quality and the seasonability of these winter dreams varied, but the stuff of them remained.   they persuaded dexter several years later to pass up a business course at the state university—his father, prospering now, would have paid his way—for the precarious advantage of attending an older and more famous university in the east, where he was bothered by his scanty funds. but do not get the impression, because his winter dreams happened to be concerned at first with musings on the rich, that there was anything merely snobbish in the boy. he wanted not association with glittering things and glittering people—he wanted the glittering things themselves. often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges.

there you go thats what we are missing