On September 16, 1960, John F. Kennedy and Richard Nixon participated in the first televised presidential debate. According to the terms of the debate, Kennedy and Nixon each had the opportunity to make an opening statement. In those opening statements, each candidate presented his argument for the way to help change America. Watch these opening statements and choose one key point from the Kennedy–Nixon Debate to evaluate. Use the Kennedy–Nixon Argument Analysis Note-taking Guide to evaluate each argument.

cassius, casca, and their allies plant false documents to manipulate brutus to join their cause to remove caesar. after doing so, they visit brutus at night in his home to persuade him of their views. there they plan caesar's death. brutus is troubled but refuses to confide in his devoted wife, portia. on 15 march, caesar's wife, calpurnia, urges him not to go to the senate. she has had visionary dreams and fears the portents of the overnight storms.

first of all the mood needs to be defined: it is obviously a mood of deceitful relief and serenity. why? because the cape horn is one of the most violent maritime regions of earth and although it has been left behind, it is a personification of ahab’s delirium and the fact that the end of the passage speaks about it about being “hidden” but “raving” immediately conveys the feeling the calm is not permanent but fleeting.

furthermore, the oxymoron “mild stun'sails” is the first instance of such feeling as the adjective “mild” is associated with “stunned” underscoring the fleeting nature of this “tranquil” moment. and the contrasts keep piling up, with the opposition between “dark den” and “blessed light and air” to end with the final conclusion that leaves the reader with the uneasy knowledge that this is just a reprieve.

"valley of salt tears" and "dark, deep and foggy" are two images used to establish a mood of uncertainty and regret. this imagery is made up of sensory appeals to brings up   theological concerns of sin and retribution.

they conjure up the human   uncertainty about the divine and its relationship to the world.