I loved to look at the old photographs, especially the ones with me in them. I suppose that was bad of me and proved I was stuck on myself, but I couldn't help it. The pictures with me in them were just more interesting. Every stage of my life was there, snapped by the camera and stamped on a glossy piece of paper. I loved seeing myself at three, standing with my brother, Donald, in front of the house in our matching cowboy and cowgirl outfits, or standing on a chair in front of the kitchen counter, mixing a birthday cake for Mother. The pictures reminded me that I was real, that I always had been real and always would be real, and that I wasn't just some girl someone had made up.

2
Select ALL the correct answers.
Which two statements best express themes in the passage?

Gratitude and family is a key to growth and happiness.
Self-focus can lead to being conceited.
Evidence of a prior time reminds people of their worth in life.
Joy comes from looking back on the past.
Photography is an important art form that should be preserved.

i am almost certain that man symbolizes communism in this passage.

hope this

answer by yourhope:

hi! : )

which answer best describes the interaction between the elements mentioned in the excerpt?

b. an individual influencing an idea!

: )

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran