Select the correct text in the passage. which two sentences in this excerpt from john f. kennedy's inaugural address demonstrate the use of antithesis as a rhetorical device? we observe today not a victory of party but a celebration of freedom—symbolizing an end as well as a beginning–signifying renewal as well as change. for i have sworn before you and almighty god the same solemn oath our forbears prescribed nearly a century and three-quarters ago. the world is very different now. for man holds in his mortal hands the power to abolish all forms of human poverty and all forms of human life. and yet the same revolutionary beliefs for which our forebears fought are still at issue around the globe–the belief that the rights of man come not from the generosity of the state but from the hand of god. we dare not forget today that we are the heirs of that first revolution. let the word go forth from this time and place, to friend and foe alike, that the torch has been passed to a new generation of americans–born in this century, tempered by war, disciplined by a hard and bitter peace, proud of our ancient heritage–and unwilling to witness or permit the slow undoing of those human rights to which this nation has always been committed, and to which we are committed today at home and around the world.

In part one of "cruel tribute," how do king aegeus's actions affect the advancement of the plot? he causes ariadne to fall in love with theseus. he causes theseus to become the new king. he causes the birth of a hero in troezen. he causes king minos to become angry.

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification

Which of the following statements would most encourage productive conflict? select all that apply.