What evidence does the author provide to demonstrate bach natural musical talent

imagery :

"facing the rising sun of our new day begun"

paints a vivid picture and emphasizes the meaning, purpose, and emotional weight of the piece

alliteration:

"sing a song full of the faith".

contributes to the musical quality

oxymoron:

"silent tears"

intensifies the emotional content of the poem

simile :

"loud as the rolling sea"

conveys a sense of widespread rejoicing

explanation:

mark brainliest

it would be b.) because if you process of elimination and when mr.white pulls the monkey it’s the action of the whole story

explanation:

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran