100i will mark high define the term conflict as it relates to literature and explain its importance in narrative writing. briefly describe the different types of national and external conflict. then explain how author introduces develops and resolves the major conflict in the narrative day of the butterfly.

Conflict in literature means that any problem the protagonist has to overcome in order to solve a situation and accomplish their mission.

The conflict is relevant for any literature because it gives meaning to the whole text, like there has to be a problem to be solved. There are 2 types of conflict, internal and external conflict.  

Internal conflict are the problems that happen inside the protagonist's mind, a struggle between two feelings fighting each other up to the point where the protagonist submits to one or none of the feelings and reaches a conclusion.

External conflicts involve every problem that can be caused by an external source, this being, another person, the nature, a machine, etc.  

(i got this from another answer but i kinda trimmed it down)

(p.s with that last question i couldn't really help you out with that, because i haven't read that book or text but i'm sure if you read it then you could narrow it down the answer)

the answer is fantasy

awnser: the oxford dictionary of quotations (oup 1970) has 66 pages of quotations

attributed to the writings of william shakespeare in which there are 2369 quotations,

which may reflect well over 5000 speeches, discussions, observations and comments

that are present in shakespeare’s work. it is largely from those speeches and discussions

on shakespeare’s 37 plays, as well as his, and others’ poems, that examples have been

taken here.

in this book all quotations from his poems and plays have been taken from various

editions of the arden shakespeare.

the writer is very much indebted to the rapid response provided by his son, henry

audley-charles , for cries of , guidance, advice and repairs to his ageing pc, that

henry provided at all hours. without this assistance over the last 3 years this book

could not have been written.

in addition, the writer is much for the kind by discussion and proof readings from

elizabeth macbeth and janet hulse; and for his knowledge of shakespeare’s plays and

poems in discussions with monsieur francis saillart; and especially for years of proof

reading, support and with this book from my wife brenda amy cordeiro. above

all, the debt i owe is to professor david price, vice provost research. he has acted as

the editor and the guide for the whole project. this has been far from easy with

changes repeatedly being made by the author and which continued after professor price

had provided all the editorial structure for this project.