In sergei eisenstein's montage theory is a cut in which the edit "collision" is based on the composition, visual patterns, and/or movement within individual shots in succession.
a. tonal montage
b. expressive montage
c. rhythmic montage
d. overtonal montage
e. metric montage

In Sergei Eisenstein's montage theory is a cut in which the edit "collision" is based on the composition, visual patterns, and/or movement within individual shots in succession.

c. rhythmic montage

Explanation:

A rhythmic montage in soviet montage theory is a pattern of continuity in which keep changing in a sequence of visual movement that also experiments different shots. This is our correct answer because as we can see in the exercise above we need an element that separates two different moments in the film. One that is based on sequences of movement of individual shots.

the first step is to convey the appropriate emotions.

this is what i put and it was correct

it's a way for authors to communicate with reader in this time period. books from the past can teach us about life.