what is the relationship between these two paragraphs?
it’s not easy being a bird, especially when you can’t figure out how to fly. that was donny’s problem. no matter how hard he tried, he couldn’t lift off the ground. he watched the other birds and tried to imitate what they did, but nothing seemed to .

summer was almost over, and the leaves were starting to fall off the trees. it would soon be winter, and everyone would be heading south for the summer. donny didn’t want to be left behind, and he didn’t want to be a burden. he needed to teach himself to fly once and for all.

a. the first paragraph is the exposition, and the second paragraph is the climax of the story.

b. the first paragraph describes the conflict, and the second paragraph resolves the problem.

c. the first paragraph outlines the plot, and the second paragraph describes the theme of the story.

d. the first paragraph describes the main character, and the second paragraph describes the conflict.

e. the first paragraph identifies the narrator, and the second paragraph tells about the setting.

the relationship between friendship and dreams are that if you dream to be in a friendship with the person you dreamed of it might happen just keep dreaming.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran

the word century is three syllables long.

hope this ,

-anime