Read the excerpt from "take the tortillas out of your poetry."
my friend had concluded that if he took his language and culture out of his poetry, he stood a better chance of
receiving a fellowship. he took out his native language, the poetic patois of our reality, the rich mixture of spanish,
english, pachuco and street talk which we know so well. in other words, he took the tortillas out of his poetry, which
is to say he took the soul out of his poetry.
which best explains how anaya's word choice establishes his voice in the excerpt?
anaya compares "tortillas" to "the soul of a mexican-american writer, demonstrating the ability of these writers to combine
spanish and english in their writing
anaya compares tortillas" to the soul of a mexican-american writer, emphasizing his belief that writers must be allowed
to express their culture and heritage
anaya compares "tortillas to the soul of a mexican-american writer to persuade people to read more literature by writers
that come from mixed heritages and diverse cultures.
anaya compares tortillas" to the soul of a mexican-american writer to express his opinion that only those writers who
vietnutide of the mainstream are worthy of an audience

Read the passage from animal farm. "that was part of the arrangement! " cried squealer. "jones's shot only grazed him. i could show you this in his own writing, if you were able to read it. the plot was for snowball, at the critical moment, to give the signal for flight and leave the field to the enemy. and he very nearly succeeded—i will even say, comrades, he would have succeeded if it had not been for our heroic leader, comrade napoleon. do you not remember how, just at the moment when jones and his men had got inside the yard, snowball suddenly turned and fled, and many animals followed him? and do you not remember, too, that it was just at that moment, when panic was spreading and all seemed lost, that comrade napoleon sprang forward with a cry of 'death to humanity! ' and sank his teeth in jones's leg? surely you remember that, comrades? " exclaimed squealer, frisking from side to side. now when squealer described the scene so graphically, it seemed to the animals that they did remember it. at any rate, they remembered that at the critical moment of the battle snowball had turned to flee. but boxer was still a little uneasy. how does the characterization of squealer support the author’s purpose? squealer's dramatic accusations draw parallels between him and stalin’s propagandists. squealer's uncertainty shows that he is not a reliable ally of napoleon and is ineffective with messaging. squealer's ability to get the animals to listen to him shows that any animal can rise to be a leader in time. squealer's humble interactions with the animals reflect the importance of equality and cooperation.