Torvald wants nora to continue to take care of the children

At first i was afraid to approach him—then the fear left me. he was sitting looking out over the city—he was dressed in the clothes of the gods. his age was neither young nor old—i could not tell his age. but there was wisdom in his face and great sadness. you could see that he would have not run away. he had sat at his window, watching his city die—then he himself had died. but it is better to lose one's life than one's spirit—and you could see from the face that his spirit had not been lost. i knew, that, if i touched him, he would fall into dust—and yet, there was something unconquered in the face. how does the conflict at the beginning of the paragraph move the plot forward? the narrator realizes that he is scared of the gods. the narrator realizes that he distrusts the spirits the narrator realizes that the god was a man. the narrator realizes that he is powerful like the gods.

Which of the following did shakespeare change in his version of romeo and juliet? he increased emphasis on the capulet-montague conflict. he made romeo and mercutio’s relationship more complicated. he made the franciscan friars more evil. he gave tybalt a smaller role.

Answer quick 20 points how does penny baxter's view of the forresters differ from that of ma baxter's view after fodder-wing's death? a. penny views the forresters as foolish people, while ma baxter views them as heroes. b. penny is angry with the forresters, while ma baxter feels a connection to them. c. penny sees the forresters as criminals, while ma baxter thinks they are victims. d. penny feels sympathy for the forresters' loss, while ma baxter shows no respect for their loss.