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English, 25.10.2019 13:43, heavenwagner

What’s the relationship between studying both living and dead flamingos and better understanding there balance

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English, 21.06.2019 21:00, yen80
Now close reading is an essential and foundational skill needed to succeed in any language arts course. acquiring this skill will you form a strategy when writing about literature. you will be required to perform and develop this skill as you progress through this course and other courses in your school career. identify and discuss your areas of strength in language arts. what do you do well? what do you like doing in a course like this? why do those tasks work well for you? you can also identify a challenge you have that you’d like to work on throughout this course. use this discussion as an opportunity to give advice to your classmates based on your stronger skills and to ask for with skills you are still developing.
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English, 21.06.2019 22:30, lilpeepxliltracy
Fine fellow, that lebrun," said arobin when robert had gone. "i never heard you speak of him.""i knew him last summer at grand isle," she replied.  what becomes apparent during this conversation? robert and arobin are both aware they are rivals for edna’s affections. arobin is unaware of robert’s role in edna’s life, but robert is aware of arobin’s role. robert is completely unaware of arobin’s romantic intentions and love for edna. robert has much more confidence in himself than arobin does.
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English, 22.06.2019 01:00, nathanowens121224
Which verb or verb phrase signals an inappropriate shift in mood. a) will you let b) should first change c) must attend d) will be served
Answers: 1
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English, 22.06.2019 02:00, kris22elizondop9v1bb
What is the effect of narrator's word choice on the tone of this passage? the words "my heart shrank within itself" create a fearful tone. the words "wounded his fellow" develop a remorseful tone. the words "struck harsh upon my ears" suggest an irritated tone. the words "better-omened" set a hopeful tone. excerpt from "the cabuliwallah" by rabindranath tagore i was sitting in my study, looking through the accounts, when some one entered, saluting respectfully, and stood before me. it was rahmun the cabuliwallah. at first i did not recognise him. he had no bag, nor the long hair, nor the same vigour that he used to have. but he smiled, and i knew him again. "when did you come, rahmun? " i asked him. "last evening," he said, "i was released from jail." the words struck harsh upon my ears. i had never before talked with one who had wounded his fellow, and my heart shrank within itself when i realised this; for i felt that the day would have been better-omened had he not turned up.
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