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English, 24.10.2019 16:43, ScuddyG7164
"thus, van gogh's potato eaters, as a consequence of certain unmistakable distortions, turns out to be a non-facsimile of real-life potato eaters; and inasmuch as these are not facsimiles of potato eaters, van gogh's picture, as a non-imitation, had as much right to be called a real object as did its putative subjects. by means of this theory (rt), artworks re-entered the thick of things from which socratic theory (it) had sought to evict them: if no more real than what carpenters wrought, they were at least no less real. the post-impressionist won a victory in ontology."explain.
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"thus, van gogh's potato eaters, as a consequence of certain unmistakable distortions, turns out to...
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