3. synthesizing. write an interior mono-
| logue (the thoughts of one person writ-
ten from the “i” point of view) in
which a teen uses the decision-making
model to decide whether to attend a
party where alcohol will be served.

now, of course, the quality and the seasonability of these winter dreams varied, but the stuff of them remained.   they persuaded dexter several years later to pass up a business course at the state university—his father, prospering now, would have paid his way—for the precarious advantage of attending an older and more famous university in the east, where he was bothered by his scanty funds. but do not get the impression, because his winter dreams happened to be concerned at first with musings on the rich, that there was anything merely snobbish in the boy. he wanted not association with glittering things and glittering people—he wanted the glittering things themselves. often he reached out for the best without knowing why he wanted it—and sometimes he ran up against the mysterious denials and prohibitions in which life indulges.

there you go thats what we are missing

1 - shakespeare

2 - stephen king

3 - stephenie meyer

4 - seiichi morimura

5 - sabrina elkins

6 - sally cheney

7 - samantha hunter

8 - shelley bates

9 - sue civil-brown

10 - sylvie kurtz

the eye wink at the hand; yet let that be / which the eye fears, when it is done, to see.