Me to find the figurative language in this lyric below
this is gonna hurt
but i blame myself first
'cause i ignored the truth
drunk off that love
it fu**ed my head up
there's no forgetting you
you've awoken me
but you're choking me
i was so obsessed
gave you all of me
and now honestly
i've got nothing left
i loved you dangerously
more than the air that i breathe
knew we would crash at the speed that we were going
didn't care if the explosion ruined me
baby, i loved you dangerously
i loved you dangerously
usually i hold
the power with both
my hands tied behind my back
look at how things changed
'cause now you're the train
and i'm tied to the track
you've awoken me
but you're choking me
i was so obsessed
gave you all of me
and now honestly
i've got nothing left
'cause i loved you dangerously
more than the air that i breathe
knew we would crash at the speed that we were going
didn't care if the explosion ruined me
baby, i loved you dangerously
you took me down, down, down, down
and kissed my lips with goodbye
i see it now, now, now, now
it was a matter of time
you know i know
there's only one place this could lead
but you are the fire
i'm gasoline
i love you, i love you, i love you
i loved you dangerously
more than the air that i breathe
oh now, knew we would crash at the speed that we were going
didn't care if the explosion ruined me
oh, oh, baby, i loved you dangerously
oh, i loved you dangerously
oh, oh, i loved you dangerously

Write a letter to your best friend in london

What role should teachers play in creating tolerance environment for students?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification