During withencroft’s walk he was only fully conscious of one thing

explanation:

communication is extremely important in any relationship. importance of communication has been stressed upon time and again. lack of communication creates a number of problems that only increase with time.

it is often seen that the families where people talk to each other frequently are happier. they share their joys, sorrows and other emotions with each other. there is a lively atmosphere in such families. they laugh it out together and celebrate every moment whole-hearted. they never feel lonely or bored. they know whenever they want to talk about something or share an emotion they always have an ear to listen to. such is the importance of communication.

compared to this, the families where all the members are engrossed in their own tasks and do not bother to care about or talk to people around them are usually not as happy. the atmosphere in such families is quite dull and gloomy. people are busy with their own tasks. they have friends outside and are not as close with their family members.

they plan outings with their friends and colleagues rather than their family members. this is because they have neglected the importance of communication all along and are thus not comfortable communicating with each other. and without good communication there is no way one can enjoy.

i don't see it in your profile.                                                  

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran

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