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English, 11.07.2019 05:10, summerjoiner
Which excerpt represents the call-and-response format derived from jazz music?
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by langston hughes (excerpt)
maybe now i can have that white enamel stove
i dreamed about when we first fell in love
eighteen years ago.
but you know,
rooming and everything
then kids,
cold-water flat and all that.
but now my daughter’s married
and my boy's most grown--
quit school to work--
and where we're moving
there ain't no stove--
maybe i can buy that white enamel stove!
island
by langston hughes (excerpt)
black and white,
gold and brown--
chocolate-custard
pie of a town.
dream within a dream,
our dream deferred.
good morning, daddy!
ain't you heard?
harlem
by langston huges (excerpt)
does it dry up
like a raisin in the sun?
or fester like a sore—
and then run?
does it stink like rotten meat?
or crust and sugar over—
like a syrupy sweet?
Answers: 3
English, 22.06.2019 04:30, xXCoryxKenshinXx
The significant structural shift that happens between chapters 21 and 22 is
Answers: 1
English, 22.06.2019 11:00, vkrizh
What are four names that malcolm x went by at various times in his life, and how did he change as a man with each name change? how does malcolm x's understanding of racial identity change over the course of his life? what were his ultimate opinions on african american life and civil rights in the united states?
Answers: 1
Which excerpt represents the call-and-response format derived from jazz music?
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