The break what is a theme of this passage? a. one should be kind because it is right to treat others well, not in order to be rewarded. b. every good act one does is returned in the form of good acts from others. c. people who allow others to take advantage of them punish themselves. d. slow progress and frustration with others is the penalty for being overly focused on goodness. how does the interaction with the rose vendor affect faizula? a. it reawakens his belief in friendship. b. it encourages him to be less disciplined. c. it humbles his pride in accomplishments. d. it affirms his efforts to be virtuous.

Multiple ! in this excerpt from act i, scene vi, of macbeth, duncan praises the atmosphere in the castle and the hospitality of his hostess. identify two reasons that these comments are ironic. duncan: this castle hath a pleasant seat: the air nimbly and sweetly recommends itself unto our gentle sense. . . (enter lady macbeth.) duncan: see, see, our honour'd hostess! — the love that follows us sometime is our trouble, which still we as love. herein i teach you how you shall bid god ild us for your pains, and us for your trouble. he will meet his death in the castle, which he considers a pleasant place. his praise for inverness and his hostess, lady macbeth, is deceptive. duncan secretly plans to give macbeth's title to donalbain. the hostess he praises is actually plotting his murder.

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.

The words screaming and rushed in the passage suggest which tone in the story the metamorphosis a.) tense b.) positive c.) fun d.) formal