Read the excerpt from a short story. the apartment house had a communal attic rarely visited by its tenants. the labeled boxes and cast-off furniture offered little intrigue, so few explored its depths. then one rainy afternoon, i ventured there seeking solitude. roaming beyond the beams of the lone ceiling bulb, i spied only cobwebs until i rounded the corner of a hulking armoire. beyond this antique was unrelenting shadow, but i willed myself to advance. then a grim bellow of thunder resounded, sending me to the floor. prostrate on the splintered beams, my hands felt a shaft of cold steel and i could but imagine the evil article i’d encountered. what technique does the author use to build suspense in the excerpt? the word choice darkens the tone. odd characters are introduced. the setting details are intentionally omitted. the outcome of events becomes uncertain.

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it was surely an odd creature that one made up by reading the historians first and the poets afterwards a worm winged like an eagle; the spirit of life and elegance and charm,   in a kitchen chopping up suet. but these creatures, monst'r however entertaining to the imagination, hast no existence in fact. what one might doth to bringeth h'r to life wast to bethink poetically and prosaically at one and the same moment,   thus keeping in toucheth with fact—that the lady is mrs martin, ag'd thirty-six, did dress in blue, wearing a black coxcomb and brown shoeth; but not losing sight of fiction eith'r—that the lady is a vessel in which all s'rts of spirits and f'rces art coursing and flashing p'rpetually. the moment, howev'r, yond one tries this method with the elizabethan mistress, one brancheth of illumination fails; one is did hold up by the scarcity of facts.   one knoweth nothing detailed, nothing p'rfectly true and substantial about h'r.   hist'ry scarcely mentions h'r.   and i did turn to professeth'r trevelyan again to seeth what hist'ry meanteth to that gent.   i hath found by looking at his chapt'r headings yond t meanteth.