Enter chorus. chorus: two households, both alike in dignity, in fair verona, where we lay our scene, from ancient grudge break to new mutiny, where civil blood makes civil hands unclean. from forth the fatal loins of these two foes a pair of star-cross'd lovers take their life; whose misadventured piteous overthrows do with their death bury their parents' strife. the fearful passage of their death-mark'd love, and the continuance of their parents' rage, which, but their children's end, nought could remove, is now the two hours' traffic of our stage; the which if you with patient ears attend, what here shall miss, our toil shall strive to mend. exit how is this drama different from a story written in prose? a. it uses mainly description, rather than dialogue, to tell the story. b. it does not have a specific setting. c. it does not have major and minor characters. d. it uses mainly dialogue to tell the story. e. it uses foreshadowing to give the audience a hint of what to expect.

What is meant by “eternally burning black pipes”? what is this implying about the personality of the firemen?

What can be inferred about the cyclops in this excerpt from homer’s odyssey?

"the children's hour" by henry wadsworth longfellow between the dark and the daylight, when the night is beginning to lower, comes a pause in the day's occupations, that is known as the children's hour. i hear in the chamber above me the patter of little feet, the sound of a door that is opened, and voices soft and sweet. from my study i see in the lamplight, descending the broad hall stair, grave alice, and laughing allegra, and edith with golden hair. a whisper, and then a silence: yet i know by their merry eyes they are plotting and planning together to take me by surprise. a sudden rush from the stairway, a sudden raid from the hall! by three doors left unguarded they enter my castle wall! they climb up into my turret o'er the arms and back of my chair; if i try to escape, they surround me; they seem to be everywhere. they almost devour me with kisses, their arms about me entwine, till i think of the bishop of bingen in his mouse-tower on the rhine! do you think, o blue-eyed banditti, because you have scaled the wall, such an old mustache as i am is not a match for you all! i have you fast in my fortress, and will not let you depart, but put you down into the dungeon in the round-tower of my heart. and there will i keep you forever, yes, forever and a day, till the walls shall crumble to ruin, and moulder in dust away! which literary device does longfellow use most frequently in the poem? a. simile b. metaphor c. repetition d. personification