Hale. harry and i had started to town with a load of potatoes. we came along the road from my place; and as i got here, i said, “i’m going to see if i can’t get john wright to go in with me on a party telephone.” i spoke to wright about it once before, and he put me off, saying folks talked too much anyway, and all he asked was peace and quiet—i guess you know about how much he talked himself; but i thought maybe if i went to the house and talked about it before his wife, though i said to harry that i didn’t know as what his wife wanted made much difference to john— which feminist theme is most supported by the excerpt? a. women feel pressured to conform to roles set by society. b. women artists face difficult paths when pursuing careers. c. women need to feel they are determining their own fate. d. women frequently go unheard in male-dominated societies.

one thousand and one nights, also known as arabian nights is a collection of stories whose basic structure is that of embedded narrative. this technique refers to a main story which works as the common frame - or framing narrative - for the other stories, and then this series of stories which are connected to the main one. this technique can also be referred to as a story within a story. the stories stem from the original tale, some begin and end on their own, some are connected to the previous or following one, by means of questions that are answered in the subsequent tale, or characters which reappear.

in afghanistan, yelda, the first month of jadi is the longest night of the year. amir says that yelda was the starless night tormented lovers kept vigil enduring the endless dark, waiting for the sun to raise and bring with it their loved. amir says he became a yelda when he met soraya in america.