Based on helena's words to hermia, what can we infer about their relationship history?

Ineed ,someone me on this and my other questions

Read the passage from animal farm. "that was part of the arrangement! " cried squealer. "jones's shot only grazed him. i could show you this in his own writing, if you were able to read it. the plot was for snowball, at the critical moment, to give the signal for flight and leave the field to the enemy. and he very nearly succeeded—i will even say, comrades, he would have succeeded if it had not been for our heroic leader, comrade napoleon. do you not remember how, just at the moment when jones and his men had got inside the yard, snowball suddenly turned and fled, and many animals followed him? and do you not remember, too, that it was just at that moment, when panic was spreading and all seemed lost, that comrade napoleon sprang forward with a cry of 'death to humanity! ' and sank his teeth in jones's leg? surely you remember that, comrades? " exclaimed squealer, frisking from side to side. now when squealer described the scene so graphically, it seemed to the animals that they did remember it. at any rate, they remembered that at the critical moment of the battle snowball had turned to flee. but boxer was still a little uneasy. how does the characterization of squealer support the author’s purpose? squealer's dramatic accusations draw parallels between him and stalin’s propagandists. squealer's uncertainty shows that he is not a reliable ally of napoleon and is ineffective with messaging. squealer's ability to get the animals to listen to him shows that any animal can rise to be a leader in time. squealer's humble interactions with the animals reflect the importance of equality and cooperation.

In which of the following excerpts from "the yellow wall paper" does author charlotte perkins gilman seem to mock the romantic belief in the supernatural? a. a colonial mansion, a hereditary estate, i would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! b. there is a delicious garden! i never saw such a garden—large and shady, full of box-bordered paths, and lined with long grape-covered arbors with seats under them. c. the color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight. d. then i peeled off all the paper i could reach standing on the floor. it sticks horribly and the pattern just enjoys it!