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Playwrights who experimented with adding thoughts and feelings to realistic drama in the 1920s and 1930s included george orwell eugene o’neill tennessee williams both b and c
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Find two examples of imagery in act 4 of romeo and juliet. what senses do they appeal to?
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How does the poem’s mood and tone change in each of these stages? odes and elgies
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Playwrights who experimented with adding thoughts and feelings to realistic drama in the 1920s and 1...
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