By w. h auden what is the response of the people who see icarus into the sea

The poem "Musée des beaux arts" by W.H. Auden was written as a response to Pieter Brueghel's "Landscape with the Fall of Icarus".

In this poem, Auden alludes to the human indiference towards other people's misfortune.

In the first section of the poem, Auden shows how humans go around not caring and paying little attention to the suffering in the world. According to Auden, neither children nor animals have enough sympathy to understand someone else's plight. But adults remain uninterested in individual calamity.

In the second section of the poem, Auden refers to Brueghel's paiting, by describing specific images of this dismissal of external suffering. How the ploughman "may" have heard the splash and how, for him, it was not an important failure.

source text: from the sketch here given it will be seen, that our good grandmothers differed considerably in their ideas of a fine figure, from their scantily dressed descendants of the present day. a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. nor were they the less admired by the gentlemen in consequence thereof. on the contrary, the greatness of a lover's passion seemed to increase in proportion to the magnitude of its object—and a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. certain it is, that in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen - - the reason of which i conclude to be, either that the hearts of the gentlemen have grown larger, or the persons of the ladies smaller — this however is a question for physiologists to determine. add punctuation to the following excerpt. writing under the name of diedrich knickerbocker washington irving aimed his potent satire at as diverse topics as political rivals such as thomas jefferson to the very ideal of looking back on the past affectionately: a fine lady, in those times, waddled under more clothes even on a fair summer's day, than would have clad the whole bevy of a modern ball room. a voluminous damsel, arrayed in a dozen of petticoats, was declared by a low-dutch sonnetteer of the province, to be radiant as a sunflower, and luxuriant as a full blown cabbage. in those days, the heart of a lover could not contain more than one lady at a time; whereas the heart of a modern gallant has often room enough to accommodate half a dozen