Asap which of the following supports the idea that tenzing norgay might not be a reliable narrator? question 1 options: we moved just one at a time, taking turns going ahead, while the second one wrapped the rope around his ax and fixed the ax in the snow as an anchor. the weather was still fine. we moved just one at a time, taking turns going ahead, while the second one wrapped the rope around his ax and fixed the ax in the snow as an anchor. the weather was still fine. in regard to this, i must say in all honesty that i do not think hillary is quite fair in the story he later told, indicating that i had more trouble than he with breathing and that without his i might have collapsed. in my opinion our difficulties were about the same—and luckily never too great—and we each and were by the other in equal measure. on top of the rock cliff we rested again. certainly after the climb up the gap we were both a bit breathless, but after some slow pulls at the oxygen i am feeling fine. i look up; the top is very close now; and my heart thumps with excitement and joy. then the rocks, too, are beneath us. we are back among the snowy humps. they are curving off to the right, and each time we pass one i wonder, "is the next the last one? is the next the last? " finally we reach a place where we can see past the humps, and beyond them is the great open sky and brown plains.

Read this excerpt from "ain't i a woman? " by sojoumer truth in which three sentences does she make an emotional appeal to the audience by talking about her personal hardships? well, children, where there is so much racket there must be something out of kilter. {i think that 'twixt the negroes of the south and the women at the north, all talking about rights, the white men will be in a fix pretty soon.} but what's all this here talking about? {that man over there says that women need to be into carriages, and lifted over ditches, and to have the best place everywhere. nobody ever me into carriages, or over mud puddles, or gives me any best place} and ain't i a woman? look at me! look at my arm! {i have ploughed and planted, and gathered into bars, and no man could head me! } and ain't i a woman? i could work as much and eat as much as a man - when i could get it - and bear the lash as well! and ain't i a woman? {i have borne thirteen children, and seen most all sold off to slavery, and when i cried out with my mother's grief, none but jesus heard me! } and ain't i a woman? {then they talk about this thing in the head, what's this they call it? [member of audience whispers, "intellect") that's it, honey.} what's that got to do with women's rights or negroes' rights? if my cup won't hold but a pint, and yours holds a quart, wouldn't you be mean not to let me have my little half measure full?

4. at the conclusion of frankenstein, robert walton has an encounter with the monster, who arrives after victor frankenstein has died. perhaps surprisingly, the monster mourns his creator and expresses remorse over the fate that victor suffered. the monster pledges to destroy himself and then departs, disappearing as he goes further north. how does the monster’s behavior and attitude in this part of the novel affect the way readers view him? is he sympathetic? is he more hateful because it is only after victor has died that he relents? how does the change in the monster fit with the theme of duality in the novel?

Compare and contrast spoon river anthology