Read the excerpt from "the crab that played with the sea.” and pau amma? you can see when you go to the beach, how all pau amma’s babies make little pusat taseks for themselves under every stone and bunch of weed on the sands; you can see them waving their little scissors; and in some parts of the world they truly live on the dry land and run up the palm trees and eat cocoa-nuts, exactly as the girl-daughter promised. but once a year all pau ammas must shake off their hard armour and be soft—to remind them of what the eldest magician could do. and so it isn’t fair to kill or hunt pau amma’s babies just because old pau amma was stupidly rude a very long time ago. oh yes! and pau amma’s babies hate being taken out of their little pusat taseks and brought home in pickle-bottles. that is why they nip you with their scissors, and it serves you right! which evidence best supports the conclusion that the narrator is telling this story with a particular child in mind? “you can see when you go to the beach, how all pau amma’s babies make little pusat taseks for themselves under every stone and bunch of weed on the sands; you can see them waving their little scissors.” “but once a year all pau ammas must shake off their hard armour and be soft—to remind them of what the eldest magician could do.” “it isn’t fair to kill or hunt pau amma’s babies just because old pau amma was stupidly rude a very long time ago.” “pau amma’s babies hate being taken out of their little pusat taseks and brought home in pickle-bottles. that is why they nip you with their scissors, and it serves you right! ”

D. “Pau Amma’s babies hate being taken out of their little Pusat Taseks and brought home in pickle-bottles. That is why they nip you with their scissors, and it serves you right!”

JUST TOOK THE TEST ON E2020

Explanation:

The storyteller is recounting to this story in view of a specific youngster is the dreary utilization of the second individual, tending to straightforwardly to the peruser.  

Moreover, the portion “But once a year all Pau Amma's must shake off their hard armor and be soft—to remind them of what the Eldest Magician could do” sounds like a suggestion or an obligation of all Paul Amma's, that the storyteller is telling the tended to individual that he/she ought to satisfy as a Pau Amma's.

one reason summer auggie is because she is kind, and the whole "boy war" between jack will and julian was probaly thinking her to be on auggies sode and if you read auggie and me,   she was nice to auggie because julian was mean and auggie needed some freinds. hope this

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serve the people! ,” smoothly translated by julia lovell, offers an initial sample of yan lianke’s writing to an english-speaking audience. a bluntly drawn, mildly erotic fable, it teases mao zedong by poking fun at a true believer who obeys the chairman’s precepts too literally. to a western sensibility, the broad strokes of yan lianke’s humor would seem to pose little risk of inciting rebellion, whether of the flesh or of the body politic. but then, part of the book’s attraction is that it doesn’t have a western sensibility. it lets the reader see — or rather, intuit — what jokes chinese officials don’t consider funny, and how very little it takes for a writer to be branded an incendiary in 21st-century china, more than three decades after the death of mao, a decade after the death of deng xiaoping and seven years since china entered the world trade organization, a move that would seem to signal a willingness (however wary) to mingle with the rest of the world.