What kin of file would be most hurt by a lossu compression algorithm

It means tu is in the army and also you for every thing you did for the huricane and i think the schedule is a two hour delayed by trippe redd and vi in the picture and martin play soccer and i think love the huricane and i think the schedule is a good time and i think i love the huricane and i think the schedule is a good time is it was a puppy to video games for every thing is that the hurricane might hit us be safe during the schedule is a two hour delayed by trippe redd o i dont know see where i love you so i love the huricane and i think the the schedule is a good time to school it is fun to video chat with me and my my dad and i love the huricane and i think can i talk to your mom and i think the schedule is a good time is it was a puppy to video chat with him bro i'm not going to delete the app store is a good time is the answer choice d and i think the schedule think that is color is it there are a but the huricane and i think the schedule for there league in fifa mobile and he is watching but you know im still watching what he is watching the schedule is a good time is the hurricane might hit me up hrufjfjbi

Work with a monitor that’s calibrated and profiled. for critical image editing, calibration and profiling are essential. otherwise, the image you see on your monitor looks different on other monitors or when printed.plan to use adjustment layers to adjust the tonal range and color balance of your image. adjustment layers let you go back and make successive tonal adjustments without discarding or permanently modifying data from the image layer. keep in mind that using adjustment layers adds to the file size of the image and demands more ram from your computer. accessing the color and tonal commands in the adjustments panel automatically creates adjustment layers.if you don’t want to use adjustment layers, you can apply adjustments directly to an image layer. remember that some image information is discarded, when making a color or tonal adjustment directly to an image layer.for critical work and maximum preservation of image data, it’s best if the image you work with is 16 bits per channel (16‑bit image) rather than 8 bits per channel (8‑bit image). data is discarded when you make tonal and color adjustments. the loss of image information is more critical in an 8‑bit image than a 16‑bit image. generally, 16‑bit images have a larger file size than 8‑bit images.duplicate or make a copy of the image file. working on a copy of your image preserves the original in the event you want to use the image in its original state.remove any flaws such as dust spots, blemishes, and scratches from the image before making color and tonal adjustments.open the info or histogram panel in expanded view. as you evaluate and correct the image, both panels display invaluable feedback on your adjustments.you can make a selection or use a mask to confine your color and tonal adjustments to part of an image. another way to apply color and tonal adjustments selectively is to set up your document with image components on different layers. color and tonal adjustments are applied to only one layer at a time. only the image components on the targeted layer are affected.

Wow the answer was a on e dgenuity, ignore the other autistic answers