Suppose that there are 1 million federal workers at the lowest level of the federal bureaucracy and that above them there are multiple layers of supervisors and supervisors-of-supervisors. assume that each higher level is one-tenth the size of the one below it because the government is using a 10: 1 ratio of supervisees to supervisors. that is, for every 10 workers at the bottom, there is 1 supervisor; for every 10 of those supervisors, there is 1 supervisor-of-supervisors; for every one of those supervisors-of-supervisors, there is a supervisor-of-supervisors-of-superv isors; and so on, all the way up the bureaucratic pyramid to the president.

instructions: enter your answers as whole numbers.

a. how many supervisors will there be in each supervisory layer of the federal bureaucracy? start with the layer of supervisors directly above the 1 million workers at the bottom.

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answer; how many employees will be needed for jobs in the coming period;

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among other factors, composers started writing dynamic markings in their scores because "new instruments allowed for more dynamic ranges and contrast."

dynamics allude to the loudness or softness of music. dynamics offer an approach to demonstrate articulation in sheet music. they to drive the enthusiastic substance of music through volume and force. maybe you could alter both the volume and the shading profundity on your screen at the same time. we can likewise think about the force side of elements as the quality of a note. a few notes are intended to be played delicately and gently, while others are intended to be played all the more firmly.  

some dynamics markings have a letter 'm,' which remains for mezzo, signifying 'medium.' so a mezzo piano unique stamping resembles this (mp) and intends to play medium calm, while a mezzo specialty dynamic resembles this (mf) and intends to play medium loud.