One reason for the limited number of female artists in the middle ages and the renaissance was that women a. could not work professionally as artists b. were not allowed to learn skills of drawing or painting c. were not admitted to guilds d. were not allowed formal apprenticeships

Which of the following statements is not true? a. henry purcell was virtually unknown in his own time, but today is considered england’s most significant composer from the baroque era. b. purcell mastered all the musical forms of late seventeenth-century england, including church music, secular choral music, music for small groups of instruments, songs, and music for the stage. c. purcell’s music is filled with lively rhythms and a fresh melodic style that captures the spirit of english folk songs. d. dido, in virgil’s epic poem that purcell used as the basis for his opera dido and aeneas, was queen of carthage.

How does viewing byzantine representational art as icons/windows change the interpretations we give them?

Artworks made to be used in a ritual context often have what kind of meanings in addition to their appearance and visual impact?