The tempo of a piece is objective; all composers interpret the tempo directions in the same way. true or false

In a bullet-list or chart illustrate how the greek concepts of arete, hubris, até, and nemesis (rosenberg 122) specifically apply to odysseus and to oedipus? finally, what is each hero’s ultimate (and specific) epiphany ("a sudden, intuitive perception of or insight into the reality or essential meaning of something, usually initiated by some simple, homely, or commonplace occurrence or experience")?