Eeee, my newest OC up for criticism!! Don't be scared to judge her, you won't hurt my feelings lol. If there is anything that you think could be fixed or could be better PLEASE let me know! :) She is still in the works of being developed, so some things are extremely underdeveloped right now.

Name: Evangeline Landis
Nickname: Evan (almost never goes by her full name)
Age: 18
Gender: Female
Pronouns: She/her
Sexuality: Flaming lesbian
Ethnicity: German
Distinguishing features: Her pointed chin and icy blue eyes
Identifying marks: A scar across her nose
Height: 5'7 (175cm.)
Body type: Hourglass, curvy
Conditions: Vitiligo

Flaws: Bossy, has no filter between her head and her mouth, and controlling.
Strengths: Punctual, organized, and has a good sense of humor.
Hobbies: Fencing, lap swimming, and playing DnD with her group of friends.
Habits: Popping her knuckles and neck.
Fears: Rodents, going blind or deaf, and being rejected.
Likes: DnD, dragons, fantasy books and video games, swords, fencing, swimming, winter, sledding, true crime podcasts, hoodies, playing Ouija boards, Greek mythology, food, and superheros.
Dislikes: Summer, being late, and messes.
Other: Very nerdy ❤

Mom: Tonya Landis
Dad: Newt Landis
Siblings: An older brother (Ellington)
Pets: A golden retriever (Charger or Charge for short)
Love interest: Colby Ryften (here is her character sheet:

Favorite..
Color: Blue
Food: Tacos (specifically the tacos that a street vendor in her neighborhood park sells).
Possession: Her replica of Andúril (Aragorn's sword from LOTR)
Weapon: Sword of any kind
Animal: Sharks
Song: Any oldies (60s to 80s) and Ghost by Confetti

P. S. All art below is not mine and do not claim it as mine. They both were made using Picrew. me and all credit goes to the original artists.

100000000/10

Explanation:

amazing as always

perhaps donatello’s landmark work – and one of the greatest sculptural works of the early renaissance – was his bronze statue of david.  this work signals the return of the sculpture in the round figure, and because it was the first such work like this in over a thousand years, it is one of the most important works in the history of western art.

david is shown at a triumphal moment within the biblical storyline of his battle with the philistine, goliath.  according to the account, after david struck goliath with the stone from his slingshot, he cut off his head with goliath’s sword.  here, we see the aftermath of this event as david stands in a contemplative pose with one foot atop his enemy’s severed head.  david wears nothing but boots and a shepherd’s hat with laurel leaves on top of it, which may allude to his victory or to his role as a poet and musician.

before donatello’s work, david was typically depicted as a king, given his status in the old testament.  here, however, we have a stark change in the way david is depicted.  not only is he shown in the, but he’s also a youth.  in middle ages, nudity was not used in art except in certain moral contexts, such as the depiction of adam and eve, or the sending of souls off to the underworld.  in the classical world, was often used in a different, majestic context, such as with figures who were gods, heroes, or athletes.  here, donatello seems to be calling to mind the type of heroic nudity of antiquity, since david is depicted at triumphal point in the biblical narrative of his victory over goliath.

as for david’s youthfulness, donatello has gone back to the early life of the biblical david to depict him, rather than to his later life as a king.  it seems that donatello is trying to associate david’s youth with an innocent and virtuous life.  david looks young here – so young, in fact, that his muscles have barely developed enough to hold the large sword – that his victory over his foe is all the more improbable.  could david’s victory have been gained without divine intervention?   donatello’s work seems to imply that the answer is “no” – the victory was god’s rather than man’s.

in any case, donatello’s david is a classic work of renaissance sculpture, given its judaeo-christian subject matter modeled on a classical sculptural type.  it was revolutionary for its day – so much so that it did not get copied right away.  the idea of the life-sized sculpture-in-the-round evidently took some time to sink in and become an acceptable statue type