Which of the following statements about the working principle behind a basic still camera is true? its not c i tryed

a) light entering the camera through a nonadjustable opening is focused on light- sensitive film at the back of the camera.

b) light entering the camera through a light-sensitive opening is focused on 35 mm film at the back of the camera.

c) not this answer its either a or b)
changeable lenses of different focal lengths allow light to enter the camera, which then forms the image on light-sensitive film

its A=Light entering the camera through a nonadjustable opening is focused on light- sensitive film at the back of the camera.

first you need to pick out the favorite to the less favorite and have your pictures in a protector clear plastic then place your pics in the binder

explanation:

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.