's vision is very personal, yet communicates on a universal level. In his work, an absolute flatness is usually maintained. He has a love of Victorian and figurative letterforms; the ability to integrate figurative and alphabetic information has enabled him to produce unexpected design solutions. His album cover for The Threepenny Opera demonstrates his ability to synthesize diverse resources—the German expressionist woodcut, surreal spatial dislocations, and dynamic color found in primitive art—into an appropriate expression of the subject. From antiwar protest to food packaging and magazine covers, he has reformulated earlier art and graphics to express new concepts in new contexts.