Yeah, I guess I'm a disappointment Doing everything I can
I don't wanna make you disappointed
It's annoying
I just wanna make you feel like everything I ever did
Was never tryna make an issue for you
But, I guess the more you thought about everything
You were never even wrong in the first place, right?
Yeah, I'ma just ignore you, walking towards you
With my head down, lookin' at the ground I'm embarrassed for you
Paranoia, what did I do wrong this time? That's parents for you
Very loyal? Shoulda had my back but you put a knife in it
My hands are full, what else should I carry for you?
I cared for you, but

Hey are you okay? need to talk i’m here

Hey are you ok? its ok to talk to someone

Because they admired it maybe

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.