Space in an art composition is divided into three main sections. What are these sections, and explain one technique that artists use to create space. (site 1) Read below to answer

In art, space refers to the distance or area between, around, above, below, or within things. There are two kinds of space: negative and positive. Negative space is the area between, around, through, or within an object. Positive space is the area that an object occupies. The balance between negative space and positive space in a work of art can enhance its design. Furthermore, space is the illusion of three-dimensions on a two-dimensional surface. This spatial illusion can be described as flat, shallow, or deep. Artists create this spatial illusion through perspective.

Perspective

Perspective is an art technique that is used for creating an illusion of three dimensions on a two-dimensional surface. This technique makes a painting seem to have form and distance. Perspective also helps create a sense of depth and make artwork look more realistic. There are three major types of perspective: aerial, herringbone, and linear. Aerial perspective is the term that artists use for spatial illusion. Herringbone perspective is the term for depth. Lastly, linear perspective is the term for the combination of aerial perspective and herringbone perspective.

A line drawing of a city block with buildings on either side, a building at the end of the road in the center, and cars on the road. If you extended all lines, they would meet in the center of the image.
The Origins of Perspective

A man lying down on a table with his eyes closed. He has a bleeding wound on his side and a puncture wound on his hand. People stand beside and behind him, looking sad. They are all the same size and there are haloes around their heads.
If you have seen examples of medieval and Byzantine art, like the image above, you know that works produced in these contexts were largely flat. But in the Renaissance, the period of cultural and artistic bloom that began in 13th-century Italy, artists began to experiment with depicting three-dimensional illusions on flat surfaces. Italian painters like Giotto and Duccio began experimenting with using shadows to give the illusion of depth as early as the mid-1200s. By 1415, artist Filippo Brunelleschi had demonstrated to the world that one could use the technique of vanishing point to create linear perspective. To understand vanishing point, imagine looking down a straight road into the horizon. Brunelleschi’s success was widely praised, and linear perspective was adopted and refined through the work of many artists. By the end of the 15th century, the use of perspective in art had become a characteristic feature of Western art.

A large painting of an ornate archway and gathering place with dozens of people. The people in the foreground are larger than the people in the background and the arch seems to recede in the distance.
Divisions of Perspective

In art, linear perspective is divided into three main sections. The first section is the foreground, the area of a painting closest to the viewer. The second section is the middle ground, the portion of a painting that comes between the foreground and the background. The third section is the background, the area of the painting that appears the farthest from the viewer. When an artist uses the three sections of linear perspective in a painting, two different outcomes can occur. First, an object will appear smaller as it gets farther away from the viewer. Conversely, an object will appear larger as it gets closer to the viewer.

In summary, space is the illusion of three dimensions on a two-dimensional surface. Artists use several different techniques to define this spatial illusion in their work. The most common is linear perspective. Artists use this technique to help them determine object placement in their artwork. There are three main sections of linear perspective: the foreground, the middle ground, and the background. When artists use the sections of linear perspective in their work, a closer object will appear larger and a farther object will appear smaller.

Question

Space in an art composition is divided into three main sections. What are these sections, and explain one technique that artists use to create space. (site 1)

Read below to answer

In art, space refers to the distance or area between, around, above, below, or within things. There are two kinds of space: negative and positive. Negative space is the area between, around, through, or within an object. Positive space is the area that an object occupies. The balance between negative space and positive space in a work of art can enhance its design. Furthermore, space is the illusion of three-dimensions on a two-dimensional surface. This spatial illusion can be described as flat, shallow, or deep. Artists create this spatial illusion through perspective.

Perspective

Perspective is an art technique that is used for creating an illusion of three dimensions on a two-dimensional surface. This technique makes a painting seem to have form and distance. Perspective also helps create a sense of depth and make artwork look more realistic. There are three major types of perspective: aerial, herringbone, and linear. Aerial perspective is the term that artists use for spatial illusion. Herringbone perspective is the term for depth. Lastly, linear perspective is the term for the combination of aerial perspective and herringbone perspective.

A line drawing of a city block with buildings on either side, a building at the end of the road in the center, and cars on the road. If you extended all lines, they would meet in the center of the image.

The Origins of Perspective

A man lying down on a table with his eyes closed. He has a bleeding wound on his side and a puncture wound on his hand. People stand beside and behind him, looking sad. They are all the same size and there are haloes around their heads.

If you have seen examples of medieval and Byzantine art, like the image above, you know that works produced in these contexts were largely flat. But in the Renaissance, the period of cultural and artistic bloom that began in 13th-century Italy, artists began to experiment with depicting three-dimensional illusions on flat surfaces. Italian painters like Giotto and Duccio began experimenting with using shadows to give the illusion of depth as early as the mid-1200s. By 1415, artist Filippo Brunelleschi had demonstrated to the world that one could use the technique of vanishing point to create linear perspective. To understand vanishing point, imagine looking down a straight road into the horizon. Brunelleschi’s success was widely praised, and linear perspective was adopted and refined through the work of many artists. By the end of the 15th century, the use of perspective in art had become a characteristic feature of Western art.

A large painting of an ornate archway and gathering place with dozens of people. The people in the foreground are larger than the people in the background and the arch seems to recede in the distance.

Divisions of Perspective

In art, linear perspective is divided into three main sections. The first section is the foreground, the area of a painting closest to the viewer. The second section is the middle ground, the portion of a painting that comes between the foreground and the background. The third section is the background, the area of the painting that appears the farthest from the viewer. When an artist uses the three sections of linear perspective in a painting, two different outcomes can occur. First, an object will appear smaller as it gets farther away from the viewer. Conversely, an object will appear larger as it gets closer to the viewer.

In summary, space is the illusion of three dimensions on a two-dimensional surface. Artists use several different techniques to define this spatial illusion in their work. The most common is linear perspective. Artists use this technique to help them determine object placement in their artwork. There are three main sections of linear perspective: the foreground, the middle ground, and the background. When artists use the sections of linear perspective in their work, a closer object will appear larger and a farther object will appear smaller.

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