Which point of view does the narrator use in the passage? Dale's family knows cars. In fact, his big brother Lavender, who I will one day marry, races at Carolina Raceway. Dale kicked a tire and squinted at the silvery letters sprawling across the car's fender. "Used to be a Thunderbird," he announced. "Looks like the T and H fell off."
"Well, it's an Underbird now," I said, waving my key in front of the café's door.

From Sheila Turnage, Three Times Lucky. Copyright 2012 by Sheila Turnage

First person, second person, or third person point of view

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.

because of the importance of consistency in data collection. but we have to evaluate the resource or information, and not just accept what is posted online since information available on the internet is not regulated for quality or accuracy.